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ART APPRECIATION 01-01

ART AND HUMANITIES: WESTERN AND FILIPINO CONCEPTS
 
FRAMEWORKS AND PERPECTIVE 
 
                            | ------------FIELDS OF LEARNING--|
                  SCIENCES                                                HUMANITIES
                                                                                           |
                                                            LANGUAGE - HISTORY - ART - PHILOSOPHY
                                                                                                  |
                                                                                        ART CREATION
                                                                                        ARTIST PRACTICE
                                                                                                   |
                                                                                         ART APPRECIATION
                                                                                         SPECTATOR THEORY
TRUE
FALSE
2 GENERAL FIELDS OF LEARNING:
 
 
DEALS WITH NATURAL, PHYSICAL PHENOMENA
DEALS WITH HUMAN PHENOMENA
THE HUMANITIES
THE SCIENCES
THINKERS WHOSE THOUGHTS WERE THE BASIS OF METHOD IN THE HUMANITIES:
 
"KNOW THYSELF"
SOCRATES, 469-399 BC
AUGUSTINE, 354-430 AD
THALES OF MILETUS, 620-546 BC
CONFUCIUS, 555-479 BC
THINKERS WHOSE THOUGHTS WERE THE BASIS OF METHOD IN THE HUMANITIES:
 
"WITHDRAW INTO YOURSELF TRUTH DWELLS IN THE INNER MAN"
SOCRATES, 469-399 BC
AUGUSTINE, 354-430 AD
THALES OF MILETUS, 620-546 BC
CONFUCIUS 555-479 BC
THINKERS WHOSE THOUGHTS WERE THE BASIS OF METHOD IN THE HUMANITIES:
 
"A SCIENTIST TENDS TO KNOW EVERYTHING ABOUT THE WORLD THAT HE FORGETS TO KNOW ANYTHING ABOUT HIMSELF"
SOCRATES, 469-399 BC
AUGUSTINE, 354-430 AD
THALES OF MILETUS, 620-546 BC
CONFUCIUS 555-479 BC
THINKERS WHOSE THOUGHTS WERE THE BASIS OF METHOD IN THE HUMANITIES:
 
"THE GREAT SAGE" WISE MAN
SOCRATES 469-399 BC
AUGUSTINE 354-430 AD
THALES OF MILETUS 620-546 BC
CONFUCIUS 555-479 BC
PANOFSKY, "ART AS HUMANISTIC DISCIPLINE"
 
"HUMANITIES"
 
LATIN = HUMANITAS
ENGLISH = HUMANITY
 
GODS IN THE STATE OF PERFRECTION IN HEAVEN
DIVINITAS
HUMANITAS
BARBARITAS
PANOFSKY, "ART AS HUMANISTIC DISCIPLINE"
 
"HUMANITIES"
 
LATIN = HUMANITAS
ENGLISH = HUMANITY
 
PEOPLE IN THE STATE OF CULTURE IN CIVILIZED SOCIETY
DIVINITAS
HUMANITAS
BARBARITAS
PANOFSKY, "ART AS HUMANISTIC DISCIPLINE"
 
"HUMANITIES"
 
LATIN = HUMANITAS
ENGLISH = HUMANITY
 
SAVAGES IN THE STATE OF NATURE FOR SURVIVAL
DIVINITAS
HUMANITAS
BARBARITAS
THE PLACE OF HUMANITIES IN THE HISTORY OF WESTERN CIVILIIZATION:
 
-COSMOCENTRIC VIEW
-PROTAGORAS: MAN IS THE MEASURE OF ALL THINGS
-GEOCENTRICISM: MAN IS THE CENTER OF THE UNIVERSE
ANCIENT 800 BC
MEDIEVAL 300 AD
RENAISSANCE 1400
MODERN 1600
POSTMODERN 1960
HUMANISTIC DISCIPLINE
THE PLACE OF HUMANITIES IN THE HISTORY OF WESTERN CIVILIIZATION:
 
-THEOCENTRIC VIEW
-SCHOLASTICISM: MAN IS CREATED IN THE IMAGE OF GOD. MAN IS AT THE CENTER OF CREATION
ANCIENT 800 BC
MEDIEVAL 300 AD
RENAISSANCE 1400
MODERN 1600
POSTMODERN 1960
THE PLACE OF HUMANITIES IN THE HISTORY OF WESTERN CIVILIIZATION:
 
-ANTHROPOCENTRIC VIEW
-HUMANISM: NOTHING IS MORE WONDERFUL THAN MAN
ANCIENT 800 BC
MEDIEVAL 300 AD
RENAISSANCE 1400
MODERN 1600
POSTMODERN 1960
THE PLACE OF HUMANITIES IN THE HISTORY OF WESTERN CIVILIIZATION:
 
-SCIENTIFIC - TECHNOCENTRIC VIEW
-MAN IS A PART OF NATURE
ANCIENT 800 BC
MEDIEVAL 300 AD
RENAISSANCE 1400
MODERN 1600
POSTMODERN 1960
THE PLACE OF HUMANITIES IN THE HISTORY OF WESTERN CIVILIIZATION:
 
-ECLENTIC VIEW
-MAN IS A PIECE OF EVERYTHING
ANCIENT 800 BC
MEDIEVAL 300 AD
RENAISSANCE 1400
MODERN 1600
POSTMODERN 1960
HUMANISTIC DISCIPLINE:
 
HUMAN EVENTS HAPPENING IN THE WORLD
HISTORY
LANGUAGE
PHILOSOPHY
ART
HUMANISTIC DISCIPLINE:
 
WRITTEN AND ORAL FORMS OF HUMAN COMMUNICATION
HISTORY
LANGUAGE
PHILOSOPHY
ART
HUMANISTIC DISCIPLINE:
 
HUMAN REASON CONCERNING REALITY
HISTORY
LANGUAGE
PHILOSOPHY
ART
HUMANISTIC DISCIPLINE:
 
ADMIRATION (ART APPRECIATION) OF HUMAN-MADE OBJECTS AND THE HUMAN CREATIVITY (ART CREATION) BY WHICH THESE OBJECTS ARE MADE
HISTORY
LANGUAGE
PHILOSOPHY
ART
 
The word "art" comes from the Latin word "ars" which means skillful production or performance.
TRUE
FALSE
 
it is associated to artists who make art related to Fine Arts as a professionaL and academic and considered as the major art. They could be architect, sculptors, and painter
LIBERAL ART (ARTIST - ART)
SERVILE ART (ARTISANS - CRAFTS)
Related to making crafts and considered as the minor art. They could be stone cutter, and are called artisans.
LIBERAL ART (ARTIST - ART)
SERVILE ART (ARTISANS - CRAFT)
WESTERN CONCEPT OF ART:
 
ONLY SCHOOLED PEOPLE ARE ARTISTS
 
ACADEMIC
ELITIST
HIERARCHICAL
WESTERN CONCEPT OF ART:
 
MEANT FOR THE HIGHER SOCIAL CLASS
ACADEMIC
ELITIST
HIERARCHICAL
WESTERN CONCEPT OF ART:
 
LIBERAL ART AND SERVILE ART, HIGH AND LOW ART, MAJOR ART AND MINOR ART OR CRAFT, FINE ART AND PRACTICAL ART, FOLK ART, INDIGENOUS ART, POPULAR ART
ACADEMIC
ELITIST
HIERARCHICAL
WESTERN CLASSIFICATION OF ARTS:
 
MADE BY ARTIST AND ARE PRIMARILY CONCERNED WITH THE FORM OF BEAUTY
MAJOR ART
MINOR ART OR CRAFT
WESTERN CLASSIFICATION OF ARTS:
 
MADE BY ARTISANS AND CONCERNED WITH FUNCTIONALITY AND USEFULNESS OF HUMAN-OBJECTS (ARTIFACTS)
MAJOR ART
MINOR ART OR CRAFT
7 MAJOR ARTS IN WESTERN CIVILIZATION:
 
-PAINTING
-SCULPTURE
-ARCHITECT
VISUAL
PERFORMING
LINGUISTIC
MINOR ARTS:CRAFTS
7 MAJOR ARTS IN WESTERN CIVILIZATION:
 
-MUSIC
-DANCE
-DRAMA
VISUAL
PERFORMING
LINGUISTIC
MINOR ARTS:CRAFTS
7 MAJOR ARTS IN WESTERN CIVILIZATION:
 
-literature
VISUAL
PERFORMING
LINGUISTIC
HUMANITIES AND FILIPINO PERSONHOOD (PAGKATAO)
 
COVAR'S ANTHROPOLOGY:
 
-BIOLOGICAL: BORN AS HUMAN BEING  
                      ACT OF BEING HUMAN
                      "PERSONALITY"
KATAUHAN
PAGKATAO
HUMANITIES AND FILIPINO PERSONHOOD (PAGKATAO)
 
COVAR'S ANTHROPOLOGY:
 
KULTURAL: BECOMING A HUMAN HUMAN BEING
                 PROCESS OF BECOMING HUMAN
                 "PERSONHOOD"
KATAUHAN
PAGKATAO
HUMANITIES AND FILIPINO PERSONHOOD (PAGKATAO)
 
COVAR'S ANTHROPOLOGY:
 
"PAGPAPAKATAO" THE PROCESS BY WHICH ONE BECOMES A HUMAN BEING 
 
"MADALING MAGING TAO; MAHIRAP MAGPAKATAO"
True
False
THE JAR AND THE FILIPINO PERSONHOOD:
 
LABAS - ULO AND DIBDIB
LOOB - ISIP AND DAMDAMIN
LALIM - KALULUWA AND BUDHI
 
KULAY NG BALAT (MAPUTI, MAITIM), TINDIG (MATANGKAD, PANDAK), DIBDIB (MALAPAD, MALAKI)
LABAS NG PAGKATAO (KATAWAN - PHYSICAL)
LOOB NG PAGKATAO (KALOOBAN - ESPIRITUAL, EMOTIONAL, AND MORAL)
LALIM NG PAGKATAO
THE JAR AND THE FILIPINO PERSONHOOD:
 
LABAS - ULO AND DIBDIB
LOOB - ISIP AND DAMDAMIN
LALIM - KALULUWA AND BUDHI
 
ISIP (MATALINO), UGALI, ASAL (MABUTI)
 
 
LABAS NG PAGKATAO (KATAWAN - PHYSICAL)
LOOB NG PAGKATAO (KALOOBAN - ESPIRITUAL, EMOTIONAL, AND MORAL)
LALIM NG PAGTAO (KALULUWA)
THE JAR AND THE FILIPINO PERSONHOOD:
 
LABAS - ULO AND DIBDIB
LOOB - ISIP AND DAMDAMIN
LALIM - KALULUWA AND BUDHI
 
KALULUWA (SPIRITUL - ANITO (BANAL)
LABAS NGPAGKATAO (KATAWAN - PHYSICAL)
LOOB NG PAGKATAO (KALOOBAN - ESPIRITUAL, EMOTIONAL, AND MORAL)
LALIM NG PAGKATAO (KALULUWA)
THE HUMANITIES IN FILIPINO CONCEPT
 
"PAGPAPAKATAO" IS THE PROCESS ON HOW A HUMAN BEING BECOMES A FILIPINO.
 
FELIPE DE LEON JR. (2011) "DEFINING THE FILIPINO THROUGH THE ARTS"
 
"THE WORLDVIEW AND VALUES, BELIEFS SYSTEMS, KNOWLEDGE, SKILLS AND PRACTICES, CORE PRINCIPLES, AND IDEAS SHARED BY A SOCIETY"
CULTURAL IDENTITY
FILIPINO
THE HUMANITIES IN FILIPINO CONCEPT
 
The first objective of the colonizing power is to erase the cultural memory of the conquered people, to induce a collective amnesia about their past ang supplant it with the culture of the colonizers. In this lie the roots of the Filipino derivativeness and inferiority complex vis-a-vis West.
TRUE
FALSE
THE HUMANITIES IN FILIPINO CONCEPT
 
HAD OUR OWN CULTURAL IDENTITY
PRE-COLONIAL PERIOD (BEFORE 1500'S)
COLONIAL PERIOD (1500-1950)
POST-COLONIAL PERIOD (1950 ONWARDS)
THE HUMANITIES IN FILIPINO CONCEPT
 
OUR IDENTITY DESTROYED BY COLONIZERS: WESTERNIZATIONS OF FILIPINO CULTURE MAKING US ALIENATED FROM OUR OWN
PRE-COLONIAL PERIOD (BEFORE 1500'S)
COLONIAL PERIOD (1500-1950)
POST-COLONIAL PERIOD (1950 ONWARDS)
THE HUMANITIES IN FILIPINO CONCEPT
 
RECLAMATION, AFFIRMATION, AND DEFINITION OF OUR IDENTITY IN OUR OWN TERMS
PRE-COLONIAL PERIOD (BEFORE 1500'S)
COLONIAL PERIOD (1500-1950)
POST-COLONIAL PERIOD (1950 ONWARDS)
FILIPINO CULTURE (SUBORDINATED)
True
False
WESTERN CULTURE (STANDARD)
True
False
Forms of Allenation caused by Westernization of Filipino culture
Alienation from community
Alienation from our source of cultural energy: Thinking in borrowed forms and the economics of dependency
Alienation from our race: The Doña Victorina Syndrome
Alienation from the Indigenous: Denigrating the local
Alienation from the land
Alienation from being Filipino
Alienation from sustainable living
Some Recommendations for Developing a Filipino and Humanistic Perspective
Heightening social consciousness and sense of responsibility to the nation.
Promoting people participation, local genius, and cultural diversity
Promoting the local but thinking national or global: human communities. Not the state. Are the ultimate actors in the development process.
Integrating the arts to social and cultural phenomena as lucid mirrors of social consciousness
The Communal Character of Philippine Tradition Cultures as Reflected in the Arts
Integration of the arts with other values and functions
Unity of the arts
Arts Is integrated with everyday life and not regarded as a separate activity
Equality of opportunity for participation in the artistic and creative process
Flexibility of material, technical, and formal requirements
Use of available resources of artistic creation
Emphasis on the creative process rather than the finished product
Simultaneity of conception and realization
Becoming Filipino Through the Arts: The Process of Pagpapakatao
 
The arts can provide us the most vivid images of social relations and cultural values. They are perhaps the most lucid symbols of a people's quality of being or consciousness. Contemplating the arts is like reflecting on the psychic template of an artist or a cultural community.
True
False
7 MAJOR ARTS IN WESTERN CIVILIZATION:
 
-CERAMICS
-WEAVING
-SEWING
-HANDICRAFT
-CARPENTRY
-MASONRY
-STONE CUTTING
-GARDENING
-COOKING
Major art
Minor arts:craft
Role
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