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The Parallel Course of Latin America

A vibrant collage of Latin American art styles, showcasing indigenous and European influences, featuring elements like colorful textiles, religious imagery, and baroque architecture.

Artistic Heritage of Latin America

Discover the rich blend of European and indigenous influences in Latin American art through our engaging quiz! Test your knowledge about the unique characteristics, styles, and significant artists that shaped this vibrant cultural landscape.

10 thought-provoking questions
Multiple choice and checkbox formats
Perfect for art enthusiasts and students alike

10 Questions2 MinutesCreated by ExploringArt2023

Blending of European and indigenous American cultures during 16th/17th centuries is called:

Contemporary art

Hybrid art

Traditional art

Neoclassical art

Two of the most appealing art forms were ________ and ___________

Frescos and Acrylics

Oil and Frescos

Feather Mosaics and Andean textiles

Marble and Bronze

Characteristics of Juaréz's Saints Justus and Pastor include:

Using motifs

Figures highlighted in tenebristic manner

Darkened architectural elements

Painterly brushwork

A guild of European painters was established in ___________ In 1557, and they controlled ____________ at the capital.

Mexico City, artistic production

France, artists

Italy, artistic production

France, artists

True or False? Christian imagery of the New World stays very close to Iberian prototypes.

True

False

Jose Juaréz’s pupil was _________.

Francisco de Zubarán

Miguel Cabrera

Juan Carreño de Miranda

Baltasar de Echave Rioja

Which one of these is not an aspect of the work that came out of the Cuzco School?

Clever use of 3D perspective

Mainly religious painting

Influenced by the art of the Americas

Used lots of earth tones (reds, greens, yellows, etc)

Almost all scholars agree that the dominant artists participated in various ways in the ________ style.

Mannerist

High Renaissance

Baroque

All of the above

True or False? In Mexico, the first three artists who defined the new colonial school of Seville could be categorized as Italo-Flemish mannerists.

True

False

The late baroque phenomenon in Central Europe and Italy that paralleled the development of rococo forms in France can be called:

Churrigueresco

Churrigueresque

�Ulta-baroque”

None of the above

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